Current PhD students

A.C. Harkness

A.C. Harkness, PhD Student in Cognitive/Social/Developmental Psychology, investigates how human-AI interaction is evolving and how it differs across user groups and task contexts. Projects includes studying how people interpret what AI chatbots present when in “thinking” mode, in comparison with how people interpret their human interactive partners’ spoken and textual indicators of processing before responding (like ums and disfluencies, or “hold on let me think”). A.C. has collaborated on and managed data in projects that involve analytics and thematic coding of open-ended textual data in studies about people’s shared understanding in remote settings (e.g., in an online songwriting group for mothers with symptoms of postnatal depression) and in-person settings (e.g., participants in music therapy sessions; visitors to the Royal College of Music museum in London).  A.C. also applies background in the arts to building novel data visualizations about how people’s cognition overlaps and misaligns.

Simone Calbi

Simone Calbi, PhD candidate in Cognitive/Social/Developmental Psychology, is broadly interested in different modes of technologically-mediated communication, and how audio, voice and multilingualism mediate relationships and shared understanding. Her dissertation project focuses on how people use the AI-enabled search that has become a new default for internet browser users and what predicts their success—or not—at using it. She applies these interests in her work at the Brooklyn Public Library on how best to help members of the public who are encountering new technologies like AI chatbots to navigate their use.

Ali Bebry

Ali Bebry (she/her), PhD candidate in Clinical Psychology, investigates the cognitive processes behind uses of music for communication, building on her background in clinical and counseling psychology and contemporary music. Her dissertation project focuses on people’s overlapping (or not) understanding when they share music—how playlist receivers' interpretations of what a sharer intended to communicate align with what sharers report having meant—and how differently listeners with lyric focus think of what sharing music means. More broadly she is interested in other communications connected with musical activities like listening to music together (synchronously) and how music can support understanding in a therapeutic relationship. Better understanding these processes can inform the best uses of music as part of the therapeutic process.

Former Post-Docs

PhD Alumni

Other New School Alumni Collaborators